Gloomy synths with quick tempos. Vocals croon haunting, heartbreaking lyrics. Could be better mixed, but I can see how the current mixing job may fit the overall mood of the song.
"You don't love me. No; not at all. You don't answer when I call. You are hollow when I'm there. I am shallow beyond repair."
Woody Allen's "Magic In The Moonlight" has a wonderfully supervised soundtrack. While "You Do Something To Me" composed by Cole Porter but performed by Leo Reisman & His Orchestra functioned as the main theme to the film, "Big Boy" really made driving scenes memorable and fun.
Simply listening to the tooting trumpet and bouncing bright piano reminds me of the sunny scenes of the characters driving top-down by the South France seas. Now THAT is coasting.
Melancholic sound to the end-of-summer melancholy. The track includes sweet vocals accompanied by a soft acoustic guitar. A lazy guitar, keys, and drums sneak in...eventually.
Smoky jazz that doesn't heat up to a boil. This original Mad Men track composed by David Carbonara shifts its solos from one instrument to another often between dramatic pauses.
Carbonara's compositions don't all fall under the jazz genre. Here is another favorite track that changed the mood of the show - as if ridiculing the mess of the characters' lives.
What is a gypsy song without a tambourine? Besides great percussion that adds space to the track, the guitars mesh together to cooperate the formation of an alternative genre rhythm.
The introduction will take you to another place where the gypsies roam.
A full, heavy voice expressing tense sentences. Back vocals give the track an airy sense of space. Great surfy drums with quickly arpeggiated clean guitar chords. Track has a 50's vibe.
"I just get so cold when I'm alone at night..." confess the whispering vocals. Buzzing synths vibrate beneath pop synths and creeping guitars in this track.
Just this week PsyRi released a music video to their new track "Singularity." View the gore below.
"...a life made of wallow and pain..." This track rides the bass as its foundation. Layers of echo-y synths surround the well decayed vocals. The track slowly thickens with an acoustic guitar and more synths.
Flamenco guitar tremolos mixed with brushes on snares. The Slavic flavors found in Desplat's music helped make Wes Anderson's European country Zubrowka believable.
Great Nashville music. Interesting guitar phasing sounds that sweep from one end to the other that give the track a spacey effect. Lots of reverb on the vocals~
Listen for the heavy chord progression of melancholy at 2:35.
Akira Yamaoka combines ambient, sound effects, and hip-hop in many of his Silent Hill tracks. This is one of his more frightening tracks from Silent Hill: Shattered Memories.
From Killer Instinct (2013), composer Mick Gordon successfully uses strings in "Sabrewulf Theme" to heighten suspense. The percussion panning completes this track. The track scratching is intentional.
Joe Hisaishi composes for Hayao Miyazaki's films for the last time in The Wind Rises since it is Miyazaki's supposedly last film.
The mandolin is wonderful and reminiscent of Nino Rota's composing. The song really kicks up at 1:50 with the added percussion and tuba. Loving what the tuba low frequencies do to the piece.
Hellraiser (1987) has a hair-raising soundtrack by Christopher Young who has also written scores for other horror movies like The Grudge (2004) and Fly II (1989).
It's very 80's sounding but its use of sound effects put it ahead of its time.